All in Reviews

1917

The camera moves as if riding on the back of a ghost, creating perfect shot after perfect shot. It moves seamlessly from mounted on a vehicle to hand-held, all while maintaining Roger Deakins’ flawless vision. With no obvious cuts or editing artifice, you are left feeling as if you are actually there.

Crashing - Waves

His films are able to wick the emotion out of their stories and put them right there on the surface. Whether or not you enjoy that sort of nakedly affecting filmmaking feels entirely subjective. But what is not subjective is that this could have been more.

Pieces of You - Marriage Story

In both major and minor strokes, it is an unforgettable experience that will make you examine the through lines relative to your own life. There are pieces of you in this story because there are pieces of all of us.

Dolemite Is My Name

With “Dolemite Is My Name,” Eddie Murphy is back; and not just back in the sense of limelight, but back to doing what he does best. Making people laugh with his unique brand of incisive humor and irreverence.

Drown Me, Please - The Lighthouse

In this case, its “timeless” themes serve as a euphemism for generic. Boiled down and captured properly, this is just another movie. Remove the showy elements and art school choices, and there is literally no reason to see this.

Somewhere Under The Rainbow - Judy

It is a fairly pedestrian, paint by numbers, portrait of a famous person whose cultural resonance has waned in the last few decades. The movie landscape is filled with examples of this—portraits that lack the contours of a life and the pizazz of an invented story.

All-American - Hustlers

Daniel Day Lewis in There Will Be Blood. Michael Douglas in Wall Street. Jennifer Lopez in Hustlers. That is the class this turn belongs in. It was a pleasure to watch someone so accurately capture Americana, and it was a pleasure to watch the film not stand in her way.

The King Is Dead - The Lion King

If you are going to remake a nearly perfect film, make sure it is not a craven carbon copy. Infuse it with new ideas or daring angles. At least then, even if your movie is not revolutionary, no one can say it is what 2019’s The Lion King winds up being—boring. 

Toy Story 4

Toy Story 4 has just enough fresh perspective to justify its own existence—which is more than can be said about the fourth entry in nearly every other franchise.

So-So - Ma

There were racial dynamics, class dynamics and so many other social strata right there to be considered, but the movie saunters past them as if blindfolded. The result is a movie that feels like it decided it was going to fail even before cameras started rolling.