In this case, its “timeless” themes serve as a euphemism for generic. Boiled down and captured properly, this is just another movie. Remove the showy elements and art school choices, and there is literally no reason to see this.
If you aren’t bowled over by the occasional quip from Bill Hader, you will 100% wish Pennywise would bite your head off next, because there’s not much else to enjoy here.
The soulless affair is all told in about the most cookie cutter way imaginable. There is no vision here—only the bastardized crumbs of King’s legendary frights.
the film definitely isn't good. But it does offer insights into Tyler Perry's worldview. It is hard not to walk away asking 'why does Tyler Perry hate Black women?'
Like a pig in the mud, it starts low, and blissfully revels in its emptiness. Not nearly as self aware as it wants you to think, the movie magic is sparse as Ford reaches for story-within-a-story and fails on both levels.
Nothing about this is particularly smart, and yet there it is--defiantly offering scene after scene of indefensible nonsense. Its fatal flaw is that it is perfectly comfortable with how little it is saying.