All tagged Blumhouse Productions
Unlike other allegorical tales like “Mother,” “Us” never forgets that it is a movie. That it is taking a shot at capturing the conceit of the American Dream is just icing on the cake.
There is nothing vital or clever here. There is only the well-worn tread of tires that have been ridden too far and want to rest.
This is not “Good Shyamalan.” It is well below The Sixth Sense and not on par with Unbreakable and Split either. Instead, it’s a barely worthwhile attempt to extend the universe he created in its predecessors. But it’s interesting.
Michael Myers remains the slow-walking, homicidal maniac that sparked a revolution in the genre and he is chasing down a teenage girl with a multi-generational spit. When it comes down to it, what more could you really want?
Misguided musical interludes, lengthy speeches and over-stylized elements have all cropped up in various forms throughout Spike Lee’s career, so any time he is back with a new film, there's always the question of whether we will get the 'Good Spike' or the 'Bad Spike.' It doesn’t take long to realize, this is the former through and through.
At one point, the software program DaisyDisk is highlighted as the solution to a problem. Right there next to the software's logo is "Best of 2015," which perfectly describes so much of the feel of this movie.
The movie seems uninterested in saying anything about our world. Instead, it focuses on the interpersonal melodrama between these characters who are only mildly interesting.
When a movie has a one sentence tagline like "the horror version of X," I am all in.
"Yooooooooooooo!" is basically the only acceptable response to most of this movie.
Most of its appeal is built on my second favorite Doris of 2016, but the filmmakers do their part as well and the result is a mildly satisfying horror experience.