All tagged Thomas Newman
The camera moves as if riding on the back of a ghost, creating perfect shot after perfect shot. It moves seamlessly from mounted on a vehicle to hand-held, all while maintaining Roger Deakins’ flawless vision. With no obvious cuts or editing artifice, you are left feeling as if you are actually there.
Eastwood is making a habit of taking events that took just a few minutes and stretching them into feature length films. He achieves this by showing the event over and over and filling the runtime with backstory that only loosely relates. The 15:17 to Paris represents the very worst of this habit, coupled with production values that feel more like the efforts of a high school drama class than a four-time Oscar winner.
