Popstar is a refreshingly self-aware, timely and thoughtful mockumentary with a clear point of view. It is also just funny, which makes it hard not to enjoy.
The movie doesn't blaze any new trails from a filmmaking standpoint, and its story is fairly simplistic, but there is something so wholesome about it that I can't help but be happy it exists.
Shane Black's script is beautifully crafted, genuinely funny and surprisingly deep. It won't be for everyone, but those with an open mind will be thoroughly entertained.
Is it reasonable to base a relationship on trivial commonalities like nosebleeds and limps? If not, is it really any less legitimate than the things you think love should be based on?
I can imagine that for many, just seeing this number of characters fighting is going to be exhilarating. But was there more here for those who might not be hardcore fans?
That the characters are completely oblivious to how historically important they and this day are, gives the movie an indescribable charm that forces you to view it as a love story before seeing it as a biopic.
Watching Maggie's "plan" go from having a baby on her own to getting her husband to go back to his ex-wife is a delight. In the end, the movie laughs at our conceit in thinking we get to make plans and have them work out.
Something more than violent drama, but not quite horror either, Green Room occupies it's own sort of gritty space. It's unflinchingly brutal and rife with dark tension.
Nina Simone's upcoming biopic begs a question: if darker-skinned actresses still aren't deemed fit to play the roles they are uniquely suited for, have we really come that far?
From the unbelievably cute wolf cubs, to the breathtaking time lapse images, it is a sight to behold from beginning to end. It has heart, it has themes, it has story, but perhaps it could have done with a bit more of each.